It is hard to sing this hymn and not see an indictment of the character of the person who currently occupies the White House. The person this hymn describes is the person we want as our president – strong, self-reliant, truthful, not swayed by the attractions of fame, power, and wealth.

And I think about this man who took the oath less than four weeks ago, and I realize how unhappy he probably is, and I feel a sense of pity. I’m sorry that he was brought up in an environment that likely prized winning over loving, acquisition over compassion, self-promotion over self-knowledge. I am sad for the little inner child that cries at night to be seen and loved, because I doubt the man has ever given his inner child one iota of thought, or love, or grace, or apology.

Our first principle calls us to affirm and promote the inherent worth and dignity of every person – we don’t have to like them, but we have to affirm their inherent worth. In our brighter moments, this is easy. In our darker moments, it’s a struggle. But I’d like to think that we who value the self-possessed and compassionate character defined in this hymn can open our hearts to include some sadness for the boy who never learned this and thus became the man we alternately fear and revile.

How happy are they born or taught,
who do not serve another’s will;
whose armor is their honest thought,
and simple truth their highest skill;

Whose passions not their rulers are;
whose souls are still, and free from fear,
not tied unto the world with care
of public fame or private ear;

Who have their lives from rumors freed,
whose conscience is their strong retreat,
whose state no flattery can feed,
nor ruin make oppressors great.

All such are freed from servile bands
of hope to rise, or fear to fall;
they rule themselves, but rule not lands,
and, having nothing, yet have all.

On a musical note – the tune suits the lyrics, but the lyrics don’t always scan well, meaning I sometimes tripped over which syllable goes where or figuring out exactly what word I was singing over several notes (“ruin” and “happy” especially tripped me up in the singing).

I think it’s a decent hymn and would use it now that I’ve discovered it. In fact, it might be spawning a sermon idea… yeah, that’ll preach.

Dear readers, I’m afraid I will, for the first time in this practice, completely fail you. I am on the verge of illness and I don’t know this one at all – and my feeble attempts to plunk it out on my phone’s keyboard was futile.

I may come back to this one when I feel more focused – maybe you have some opinions you can share in comments here or Facebook that I can incorporate into a fuller exploration.

All I can say right now is that nothing about this captured or inspired me or enraged me. It was just too much today. I apologize.

One world this, for all its sorrow;
one world shaping one tomorrow;
one humanity, though riven, we,
to whom a world is given.
From one world there is no turning;
for one world the prophet’s yearning.
One, the world of poets, sages;
one world, goal of all the ages.

World so eagerly expected,
world so recklessly rejected,
one, as common folk have willed it,
one, as covenants can build it:
world of friendly ways and faces,
cherished arts and honored races,
one world, free in word and science;
people free, its firm reliance.

“Honored races” tho….? Yeah, that caught my eye as I scrolled down. Hmm….

Here’s another hymn I might have noticed if the title wasn’t just the first few words – and one I now plan to use.

One of my regular readers, Kaye, has remarked more than once that using the first line rather than the actual (or at least more meaningful) title often leads us to ignore good hymns because the first few words don’t capture what the hymn is really about. I agree.

What I also didn’t know is that if you’re theologically minded, this is kind of a shit-stirrer of a hymn. Remember when we sang all those nature songs and talked about nature is the gateway for the Transcendentalists to find truth and meaning? Well, Hosea Ballou II, grandnephew of the Universalist theologian he was named for, shoots an arrow into that perspective, saying ‘yeah, as cool as nature is, it’s nothing compared to compassion and service to others. Take that, tree huggers.’ Okay, maybe he didn’t exactly say that – but close. He definitely brings us back to humanity in a gorgeous counterpoint to the ‘nature’s everything and we are nothing’ sentiment that sometimes shows up (I’m lookin’ at you, Whittier).

Bright those jewels of the skies which in sable darkness glow.
Brighter in compassion’s eyes are the silent tears which flow.

Sweet the fragrance from the fields where abundant spices grow.
Sweeter far is that which yields comfort to the sick and low.

Grateful are those gentle dews on the greening grass which fall.
Far more grateful what renews comforts to the poor who call.

What I like about this is it isn’t ‘screw the earth, people are all that matter’ – it’s ‘wow, this planet is so amazing, and how more amazing still is compassion? yeah!’ … all set to a medieval French melody that’s lovely and sweet to sing.

I’m a fan. And I had no idea.

It feels a little like cheating that this was our closing hymn yesterday, and I’ve had it as an earworm for 24 hours – and it’s been on my mind since I first chose it for this service weeks ago.

And in this case, I don’t even care that only verse one is original, and that Eugene Navias, a Minister of Religious Education and 1977 winner of the Angus McLean Award for excellence in religious education, wrote the second and third verses for us. I don’t mind at all, because (a) the original invokes ‘Ebenezer’ (Hebrew for ‘stone of God’), which is referenced in Samuel 7:12 and is used to say it’s only because of God that we are able to do anything, which is very NOT Unitarian or Universalist in theology; and (b) Navias captures some of my own theistic humanism – namely, saying that which we look to (which some call God) reminds us to look to each other and work together and love together.

I used this as the closing hymn for a sermon talking about how religious community can be and should be a place of sanctuary for our souls and spirits. As I say in the sermon,

At its best, religious community is a shelter from the storm. It is a space set apart where we can release our weltschmerz (world weariness) and breathe into the present moment. And yet it isn’t a place that simply holds the holy for us; rather, it helps us integrate our faith into the rhythm of our daily lives. It makes space for restoring loving and intimate connections with each other. It is the small rituals and gestures we undertake with each other in this sacred space that give everyday life its value and meaning, that comfort us, make us feel at home, rooted and generous. It is the safe space for learning and discussion that prepares us lovingly for the hard work of justice and compassion ahead. It is the ever-present invitation to stop, be still, and give thanks.

We sing this hymn in gratitude for the communities we intentionally create to support us, for the reminder that we are more than the sum of our parts, for the vision that we must remember to keep before us.

Come, thou fount of ev’ry blessing, tune our ears to sing thy grace.
Streams of mercy never ceasing, call for songs of loudest praise.
While the hope of life’s perfection fills our hearts with joy and love,
teach us ever to be faithful, may we still thy goodness prove.

Come, thou fount of ev’ry vision, lift our eyes to what may come.
See the lion and the young lamb dwell together in thy home.
Hear the cries of war fall silent, feel our love glow like the sun.
When we all serve one another, then our heaven is begun.

Come, thou fount of inspiration, turn our lives to higher ways.
Lift our gloom and desperation, show the promise of this day.
Help us bind ourselves in union, help our hands tell of our love.
With thine aid, O fount of justice, earth be fair as heav’n above.

I love this hymn. I love our words, plus I love the tune (Nettleton). It recharges me and sends me forth. It is, for me, a moment to be present with and among others, to stop, be still, and give thanks.

The photo is of Paint Branch UU (photo from the UUA site page for Welcoming Congregations), chosen because of the love and sanctuary this religious community is showing in this beautiful rainbow picture.

This is another hymn I suspect many of us bypass because of the not-really-the-title title; it’s been honestly off-putting to me and I suspect others.  But it is an intriguingly appropriate pairing with Nancy McDonald Ladd’s sermon from General Assembly last year. As Kenny Wiley reported in UU World,

McDonald Ladd’s sermon lamented the “fake fights we waste our time on,” like “what color to paint the church bathroom,” as others struggle against injustice. McDonald Ladd’s words repeatedly brought cheers and ovations from the crowd as she weaved together personal narrative, humor, and her vision for a Unitarian Universalism focused on “real struggles and real battles” and not “confined by the smallness of our loving.”

We struggle with this. We create our little fiefdoms, our ways of doing things, and woe betide the person who doesn’t follow our rules! I loved this sermon and refer to it often, as it (like the hymn) calls us back to our hearts, our call, and our faith. Here, McDonald Ladd knocks it out of the park (transcribed from the video):

“I am not one to speak against an honest fight; but we need to lean into the real fights of our age. We need to do the work before us, not let another 50 years pass before we ask again what in the world we have been doing all that time while the dream goes unrealized. We need to keep it real – and keeping it real means admitting what we are here for in the first place. In spite of what every congregational satisfaction survey says, we did not come here for the coffee, and we did not even come for the great music. We don’t even come from our excellent ministers. We don’t. We come because we have a deep, aching need for an encounter with the holy that crosses our borders and expands our hearts. We come to be a part of something so much larger than ourselves. And we cannot do that holy work together unless we are really willing to set aside our own need to win and reach out our hands and seek the deeper understanding that comes with difference.”

That’s so important now. We are seeing so much infighting – not just in congregations about fights that don’t matter, but also among active participants in the resistance in fights about the quality and commitment of each other. The second verse in the hymn really got to me here, because I am watching friends struggle to support each other because our individual fears and hurts seem harder to bear than the collective pain we experience. Can we see each other in the midst of this and have the time and patience and compassion to be present?

From the crush of wealth and power something broken in us
all waits the spirit’s silent hour pleading with a poignant call,
bind all my wounds again.

Even now our hearts are wary of the friend we need so much.
When I see the pain you carry, shall I, with a gentle touch,
bind all your wounds again?

When our love for one another makes our burdens light to bear,
find the sister and the brother, hungry for the feast we share;
bind all their wounds again.

Ev’ry time our spirits languish terrified to draw too near,
may we know each other’s anguish and, with love that casts out fear,
bind all our wounds again.

This song, with a really lovely tune I didn’t know, reminds us that we must lead with love.

(I got to the binary language in the third verse and remembered this was written and published at a certain time before we understood gender as a spectrum. Since the lyricist, Kendyl Gibbons, is still an active minister, I bet she’d be amenable to a lyric shift.)

This is a beautiful benediction. A sustaining send-off. An alliterative affirmation.

What I love about the lyrics is the acknowledgement that this work is hard, and it’s always been good. Something I’m not entirely certain I noticed until now, as many times as I have sung this. (Another favorite of my former minister’s, plus another great tune by Tom Benjamin).

There’s that old joke – why are Unitarians so bad at hymn singing? because they are always reading ahead to see if they agree with the lyrics. Yet I think that even when we know the tune well, we tend to miss the nuance. And this is nuanced – this isn’t all ‘rah rah rah’ – it’s ‘this is hard. There will be pain, doubts, bitterness, fear – but take courage.

That this hymn is in the Exemplars and Pioneers section, of course, isn’t surprising. The hymn calls us to look to the past and see that it’s possible. And even though I am a middle-aged white woman, the first names that came to mind were Harriet Tubman and the newly resuscitated Frederick Douglass – heroes whom many in our nation seem to think only deserve notice one month a year, but whose contributions to love and justice are insurmountable and inspirational.

When I sing this hymn, I am reminded that our heroes aren’t heroes because it was easy, but because it was hard, and because they were right. This is indeed a hymn for our age – we need gentle, loving songs that hold us in our fears and still call us to putting our faith into action.

Be that guide whom love sustains.
Rise above the daily strife:
lift on high the good you find.
Help to heal the hurts of life.

Be that helper nothing daunts —
doubt of friend or taunt of foe.
Ever strive for liberty.
Show the path that life should go.

Be that builder trusting good,
bitter though the test may be:
through all ages they are right,
though they build in agony.

Be that teacher faith directs.
Move beyond the old frontier:
though the frightened fear that faith,
be tomorrow’s pioneer!

Amen.

There are some who consider this to be THE UU Hymn – it is perhaps the best well known of the insider songs, used throughout the denomination as an invocation, a sung response to joys and concerns, a hymn of meditation, even a song of welcome to membership (in my home congregation, if someone signed the book outside of a membership Sunday ritual, those who were near would gather to speed-sing this to the new member).

I’m not so sure we’re using it right. Carolyn McDade purposely wrote this as a personal prayer. In a 2007 interview in UU World, McDade reflects with contributing editor Kimberly French on the initiating event, a meeting for Central American solidarity:

What she remembers most clearly was the feeling she had. “When I got to Pat’s house, I told her, ‘I feel like a piece of dried cardboard that has lain in the attic for years. Just open wide the door, and I’ll be dust.’ I was tired, not with my community but with the world. She just sat with me, and I loved her for sitting with me.”

McDade then drove to her own home in Newtonville. “I walked through my house in the dark, found my piano, and that was my prayer: May I not drop out. It was not written, but prayed. I knew more than anything that I wanted to continue in faith with the movement.”

And thus, this prayer was written. A request for support, for rest, for renewal, for perspective.

Not, as it happens, a declaration of theology.

Because as a declaration of theology, it stinks. It’s incredibly self-serving, individualistic, narrowly focused. As a prayer, it is clear and focused and perfect for its intention. But it should never have become The Song. For the … oh, who am I kidding, I don’t have any readers who don’t know this one… but here are the lyrics anyway – look at them as though you are reading a statement of belief:

Spirit of Life, come unto me.
Sing in my heart all the stirrings of compassion.
Blow in the wind, rise in the sea;
move in the hand, giving life the shape of justice.
Roots hold me close; wings set me free;
Spirit of Life, come to me, come to me.

See what I mean? Great lines, focus on compassion and justice, inclusive name of that which some call God, but it’s all ME ME ME ME. I recall a conversation with fellow Unionite Ranwa Hammamy about this, where we wondered: what happens when you make it a collective prayer?

Spirit of Life, come unto us.
Sing in our hearts all the stirrings of compassion.
Blow in the wind, rise in the sea;
move in the hand, giving life the shape of justice.
Roots hold us close; wings set us free;
Spirit of Life, come to us, come to us.

Still not a theology, but a beautiful communal prayer, and maybe on the right path …shifting from the individual to the beloved community, a struggle we’ve been having our entire existence (certainly since Emerson shocked the establishment with his commencement speech at Harvard Divinity lo those many years ago).

And maybe praying for us, instead of me, will help us get out of our own way. As Nancy McDonald Ladd described at General Assembly last year, we must stop focusing on the “fake fights we waste our time on,” as others struggle against injustice. Instead, we should be focused on “real struggles and real battles” and not “confined by the smallness of our loving.” She said,

“The world does not need another place where like-minded liberals hang out and fight about who is in charge. … we need to lean into the real fights of our age. … And we cannot do that holy work together unless we are really willing to set aside our own need to win and reach out our hands and seek the deeper understanding that comes with difference.”

Spirit of life, come to us… Come to us.

My love/hate relationship with lyricist John Greenleaf Whittier continues.

As regular readers may remember, I have loved some of his lyrics; I loved the movement in No Longer Forward or Behind and the call to action hidden under Immortal Love… and I have hated others; I found the ‘people suck’ attitude of The Harp at Nature’s Advent frustrating and off-putting.

So – Whittier’s winning, 2-1, going into today’s hymn.

Aaaaaand we’re tied.

Okay, so I don’t HATE this one, but I am bored by it. First, it doesn’t go anywhere; it’s four verses of yay, let’s pretend love and peace have already won. And then let’s make some noise about it – a la Psalm 150 with all its cymbals and trumpets. For me, the entire hymn can be summed up in the first verse, so Johnny, why are you making us sing three more verses? I’m bored.

And that boredom sent me to Between the Lines, where I discovered the lyrics are from a poem Whittier wrote called “A Christmas Carmen.” (A carmen is a song or incantation.) The original poem is here – three longer verses, ABOUT CHRISTMAS. This is a very Christian poem about how Jesus brings peace to the land, because the Savior Is Born; it fits right in with the eschatological underpinnings of the Advent season, the whole Son of God/Son of Man thing (see the lyrics of Joy to the World ).

THIS IS A CHRISTMAS POEM PROMOTING A VERY PARTICULAR THEOLOGY.

And whoever set snippets of this poem to music decided to pull out the parts they like and hope we ignore the rest.

Okay, so maybe my beef isn’t with Whittier, it’s with whoever cobbled together this… this…. thing that sits opposite Spirit of Life in our hymnal (tomorrow’s hymn). It goes into the pile of hymns we sing whose original meaning has been sucked out/reversed/colonized. Ugh, ugh, ugh. This is a Christian poem about Christmas, not a ‘yay, peace, and we had something to do with it’ song.

So Johnny, I’m still not a fan, but I feel like I can’t blame you for this – let’s call it a draw; we now stand at 2-1-1.

Sound over all waters, reach out from all lands
the chorus of voices, the clasping of hands!
Rise, hope of the ages, arise like the sun,
all speech flow to music, all hearts beat as one!

Sing bridal of nations, with chorals of love!
Sing out the war vulture and sing in the dove!
With glad jubilation sing hope for the world;
the great storm is ending, the clouds are all furled.

Sound trumpets of triumph for marches of peace,
east, west, north, and south, let the long quarrels cease!
Sing songs of great joy that the angels began,
give glory to children, to woman and man!

Hark! Joining the chorus the heavens resound!
The old day is ending, a new day is crowned!
Rise, hope for the ages, arise like the sun,
all speech flow to music, all hearts beat as one!

For the curious, here’s the poem in its original form, found at Poem Hunter (and by the way, in the second verse, the meaning of ‘bridal’ is unclear – it might relate to the Christian idea that we are brides of Christ, but it might also be a riff from the old English word meaning a feast (Merriam-Webster tells us that it implied a feast where a lot of alcohol was consumed, and the word ‘ale’ comes from the same root meaning.):

Sound over all waters, reach out from all lands,
The chorus of voices, the clasping of hands;
Sing hymns that were sung by the stars of the morn,
Sing songs of the angels when Jesus was born!
With glad jubilations
Bring hope to the nations!
The dark night is ending and dawn has begun:
Rise, hope of the ages, arise like the sun,
All speech flow to music, all hearts beat as one!

II.
Sing the bridal of nations! with chorals of love
Sing out the war-vulture and sing in the dove,
Till the hearts of the peoples keep time in accord,
And the voice of the world is the voice of the Lord!
Clasp hands of the nations
In strong gratulations:
The dark night is ending and dawn has begun;
Rise, hope of the ages, arise like the sun,
All speech flow to music, all hearts beat as one!

III.
Blow, bugles of battle, the marches of peace;
East, west, north, and south let the long quarrel cease
Sing the song of great joy that the angels began,
Sing of glory to God and of good-will to man!
Hark! joining in chorus
The heavens bend o’er us!
The dark night is ending and dawn has begun;
Rise, hope of the ages, arise like the sun,
All speech flow to music, all hearts beat as one!

Postscript: I had absolutely no idea what image to use today, so I offer you a big cat in a box. Because it delights me a hell of a lot more than this hymn does. So there.

I want to love this song. Really, I do.

It’s certainly a popular one that lots of people know. And here’s the thing: This song should be amazing and inspiring and strong – and I suspect in its original form, as crafted by Carolyn McDade herself, it was. I imagine that on guitar, it has a driving rhythm, and that the lyrics tumble forth in a ragged, folky, Dylanesque manner. I imagine selecting this for the hymnal was a no brainer. The words are tremendous, and the tune is easy to pick up.

But it has sadly become a sing-songy, rather long and annoying piece of music that many of us use sparingly because we fear a revolt.

And so I am looking for a little help – to find versions that capture what I suspect is a less pedestrian and more inspiring, less ooompa and more driving. Because that is what this lyric – inspired by two kickass prophets (Isaiah and Amos) requires. This isn’t “oh, look, nice aspirations,” this is “remember Noah’s flood? Ain’t got nothing on this justice we’re bringin’ down.” This isn’t a pop song,  this is King’s “I Have a Dream” speech.

We’ll build a land where we bind up the broken.
We’ll build a land where the captives go free,
where the oil of gladness dissolves all mourning.
Oh, we’ll build a promised land that can be.

(Chorus)
Come build a land where sisters and brothers,
anointed by God, may then create peace:
where justice shall roll down like waters,
and peace like an ever flowing stream.

We’ll build a land where we bring the good tidings
to all the afflicted and all those who mourn.
And we’ll give them garlands instead of ashes.
Oh, we’ll build a land where peace is born.
(Chorus)

We’ll be a land building up ancient cities,
raising up devastations from old;
restoring ruins of generations.
Oh, we’ll build a land of people so bold.
(Chorus)

Come, build a land where the mantles of praises
resound from spirits once faint and once weak;
where like oaks of righteousness stand her people.
Oh, come build the land, my people we seek.
(Chorus)

So can someone help me out with an arrangement that doesn’t make me think we’re singing a toothless campfire song?

From the “I never really understood it until now” department comes this hymn.

Wow.

This is a familiar hymn to me, with its rolling triplets and pulsing, pushing melody. The tune sits for me in the same category as “Do You Hear the People Sing” from Les Miz – strong, defiant, meant to rouse and inspire. (I love the version I just linked to – it features Jean Valjeans from 17 different countries.)

But I don’t think I ever really read the lyrics – although I wonder if the lyrics would have ever seemed so relevant as they do today. These words could be preached from the pulpit or proclaimed at a protest. They should be echoing through the halls of Congress and every state legislature, read to journalists and news chiefs. I mean, this calls us to the moment, to be brave or be cowards (I’m lookin’ at you, Ryan and McConnell), to stand with truth, to decide whether to support greed and manipulation or generosity and truth. Now is the moment to decide.

And what gives me hope is that millions have shown what it looks like when a nation decides to stand up for good – Standing Rock, the Women’s March, the Muslim ban protests, the rogue twitter accounts from governmental science organizations (EPA, NASA, etc.), the media’s willingness to call a lie a lie, the daily calls and letters people are making to members of Congress. It’s happening. And it’s effective.

The moment has come, and people are deciding for the good side.

Once to every soul and nation comes the moment to decide,
in the strife of truth with falsehood, for the good or evil side:
then to stand with truth is noble, when we share its wretched crust;
ere that cause bring fame and profit, and ‘tis prosperous to be just.

Though the cause of evil prosper, yet ‘tis truth alone is strong;
though its portion be the scaffold, and upon the throne be wrong.
Then it is the brave one chooses, while the coward stands aside,
till the multitude make virtue of the faith they have denied.

One lyrical note:  again, our hymnal commission has pieced together lyrics for two verses from four verses; as originally written, they do include a fair bit of language that lands in a much more Christian theology. I’ve linked the original lyrics here. Sometimes that piecing together gets awkward and changes the meaning in a way that the hymn becomes toothless. However, they (a) did it much more artfully here than they have elsewhere, and (b) I think the message is stronger the way we have it now.  While this is a lyric written by a Unitarian (James Russell Lowell), you can see the shifts in our own theology from the late 1800s to today.